As I eagerly await the arrival of my Spring 2014 evals at Washington State University to see if what my students told me in person -- that they enjoyed the classes, felt comfortable with me, etc. -- matches what they put on paper and correlates with quantitative equivalencies, I note a previous employer still has me listed on one of its major faculty info pages.
While I'm a little loathe to post it here since I know I have readers from El Paso check in from time to time, and I sort of like having access to the page and don't want anyone to get it removed, you can see basic eval data for every class I taught there from June 2008 to Spring 2013 by looking for the "Previously Taught Courses" here.
I'm happy to say they illustrate a sincere, reflective educator who learned how to navigate the best and worst of that campus & departmental/program culture. I hope for 3 things from my evals from Spring 2014: 1. They do indeed match up with anecdotal comments from students 2. They show how I quickly navigated that new campus/department culture after a tough, shell-shock of a first semester experience (possibly designed that way, as I reflect) and 3. They have not been unduly influenced or tampered with by outside influences.
Once I have the info and can see which of my hypotheses are correct or wrong, I'll post another reflective statement. I hope it'll be one in which I can detail changes made between Fall 2013 and Spring 2014 which paid quantifiable dividends in my teaching.
In the meantime, you can view some qualitative feedback on my courses via my Google Drive public folder (especially in the "Appendix" document).
EN/SANE World is James Bucky Carter's enclave of English Education (EN) resources as well as a haven for those looking for information on Sequential Art Narratives in Education (SANE).
A Public Service Announcement! ;)
Showing posts with label UTEP. Show all posts
Showing posts with label UTEP. Show all posts
Tuesday, May 13, 2014
Wednesday, April 23, 2014
MLA Commons K16 Education Committee Taking Up the Common Core State Standards. Time to Help Them Know Where to Stand
A K16 Education Committee associated with the Modern Language Association (MLA), "Inspired by Michael Holquist’s challenge to the MLA to dialogue about the CCSI, what it means for us, and our relationship to secondary education," has created what they term "a space for discussion of standards, assessment, and our role in this process."
Only a few comments have been posted so far, but one poster seeks to brainstorm ideas about how to help teachers implement CCSS. I pray the comment is not the start of a slippery slope.
Folks, if you are against privatization of K12 education and do not want to see MLA infiltrated by Big $-, Big Business- and Big Politics-CCSS support, like some of our other educational organizations may have been (not to say MLA hasn't been influenced by these forces regarding other topics already. I wouldn't know), I encourage you to contact this committee or speak to whomever you know who is a member of MLA and can get your concerns about the CCSS heard. Especially the ELA CCSS.
Do not assume the MLA membership is as informed on the CCSS like the Network for Public Education might be, or Susan Ohanian, Stephen Krashen, or the Badass Teachers might be.
Further, please note it is entirely possible many professors of literature and rhetoric & composition look at the ELA CCSS and see a dream come true.
You see, the CCSS's focus on rhetorical modes of writing help reify the "importance" of rhetoric and composition and obscure the different philosophies on K12 student writing found in the larger English Education, Literacy, and Ed Studies communities.
As someone who has seen rhetoric and composition faculty take over English Departments or at least exert unduly influence on English Education matters at two different universities -- I'm looking at you, UTEP and Washington State -- sometimes with the support of the rest of the department and sometimes at the chagrin of it, I've seen how easy it is for folks who are college-level humanities educators -- especially rhetoric and composition professors -- to assume that means they also know best for K12 English teaching and assume what so many others are assuming/politically working to their advantage right now: That K12 teachers aren't smart or capable enough to handle pedagogical and curricular matters on their own anyway.
The ELA CCSS's call for focus on argumentative modes of expression could be music to the ears of these same folks. Now they're doubly important. The K12 teachers didn't know what they were doing before, and now their specific areas of expertise align to K12 curricula, especially high school English curricula.
As well, there is a rationale to be made that the main exemplar texts suggested by the CCSS ELA documents actually represent a curriculum, one which is very narrow and prescribed. Some proponents and opponents of the CCSS ELA will say that's not the case, that the exemplars are just that: Really good examples of texts teachers might use but not the only ones. Regardless, the ELA CCSS focus on American literature and Shakespeare at the expense of global and multicultural literatures, and, sadly, many college English Departments are still so conservative they still see the resident Shakespearean as king or queen.
Do you think Shakespeareans -- especially Shakespeareans who are also department chairs, the leaders of English Departments -- will look at the CCSS ELA, see their preferred literature is also its preferred literature, and be willing to critique it? Fight against it?
I'm telling you there is a very real possibility that the college-level Literature and Rhetoric & Composition faculties across America are salivating over what the CCSS means to them:
Its language suggests a new level of import and necessity -- a rationale for continued relevance and existence -- for which they've been searching for decades.
We've seen college exert control over K12 curriculum before, especially at the high school level. Indeed, in 1911 NCTE was founded on the radical belief that K12 teachers understood best what K12 students needed, not the college professors crafting hegemonic reading lists to help secondary teachers make sure some students were "college ready." We can't count on NCTE to be that radical this time, not as an entire organization, anyway, especially not since CCCC is one of its most powerful sub-organizations and its members may stand more to gain from the CCSS than anyone other than corporations and privateers.
But I'm jaded. Working under two English Department chairs who ran their departments into forms of receivership will do that, as will seeing the cut-throat tactics of rhetoric and composition faculty who seem exceptionally eager to claim their ground, stake their claims, and expand their empires. (Thanks a lot, dismissive Literature faculty, for all those generations of looking on those r&c folks as second-class citizens. You've created a group of folks who may see opportunities like this as justifications, revenge, retributions, and absolutely acceptable, the proper evolution and changing of the guard). I just don't think we can assume the members of that committee will see what Diane Ravitch sees, what Paul Thomas sees, what thousands of Badass Teachers see regarding the entirety of the CCS, let alone the ELA CCSS.
Unless we help them.
Click the link embedded in this post, and also click on the administrator and member icons for more contact information once you're there. Then get to emailing and tweeting. Take to twitter via tweeting @MLAcommons and sharing the link and your worries so they know how to direct your input. If you're an English Ed or teacher educator, contact the English Department and find a sympathetic MLA member who can pass along your concerns.
But don't stay silent. Assuming I'm right about how the CCSS ELA document can be a boon for certain college-level professors, and given the might of MLA, it is a necessity to share our knowledge to help them see the CCSS and its backers are banes to our K12 students and teachers.
I could be over-reacting. I could be skewing or skewering certain professors' and organizations' sense of themselves. If so, my apologies. Certainly I do not mean to slander MLA or this K16 committee. But if there is even a sliver of truth in what I fear, that the MLA could -- wittingly or unwittingly -- become a pro-CCSS organization, can those of us who know better afford to let its considerable membership and sway contribute to the reign of error dominating contemporary K12 school reforms like the CCSS?
Sunday, July 22, 2012
About the Hernandez Brothers Collection of Hispanic Comics and Cartoon Art
On February 23, 2010, James Bucky Carter, an Assistant Professor of
English Education in the University of Texas at El Paso (UTEP) English Department, organized the second
installment of an event series entitled "El Paso in the Comics" (EPIC).
With generous donations from the English Department, the Dean's Office in the College of Liberal Arts, the Center for Inter-American Border Studies, the Art Department, and the Sam Donaldson Center in the Department of Communication, Carter was able to bring together local comics creators and publishers from El Paso and Juarez to discuss and share their work with the Border community.
The keynote speaker for the second EPIC was Jaime Hernandez, a modern American master of the comics form. Hernandez crafts stories featuring Hispanic and Chicano/Chicana characters trying to find meaning in their lives and cultures. His work and the work of his brother Gilbert and Mario on Love and Rockets and its connected series of books is considered some of the finest comics storytelling of the 20th and 21st centuries.
In talking with Jaime, Carter learned that his mother and grandmother had ties to the Borderland and discussed the idea of creating a space that would honor the Hernandez Brothers' connection to this region.
A little while later, with help from UTEP librarians Claudia Rivers, Nancy Hill, and Luke Jastrzebski, English Department Chair David Ruiter and English Department Library Liaison Kate Mangelsdorf, the brothers' blessing, and a generous donation from their publisher, Fantagraphics, the Hernandez Brothers Collection of Hispanic Comics and Cartoon Art was founded.
The collection, comprised mostly of pamphlet-style comics and graphic novels, is housed primarily with the UTEP library's Chicano Collection, though various other artifacts are housed where they are best preserved.
With generous donations from the English Department, the Dean's Office in the College of Liberal Arts, the Center for Inter-American Border Studies, the Art Department, and the Sam Donaldson Center in the Department of Communication, Carter was able to bring together local comics creators and publishers from El Paso and Juarez to discuss and share their work with the Border community.
The keynote speaker for the second EPIC was Jaime Hernandez, a modern American master of the comics form. Hernandez crafts stories featuring Hispanic and Chicano/Chicana characters trying to find meaning in their lives and cultures. His work and the work of his brother Gilbert and Mario on Love and Rockets and its connected series of books is considered some of the finest comics storytelling of the 20th and 21st centuries.
![]() |
| Gilbert (Beto), Jaime, and Mario Hernandez at Comic Con International, 2012 |
In talking with Jaime, Carter learned that his mother and grandmother had ties to the Borderland and discussed the idea of creating a space that would honor the Hernandez Brothers' connection to this region.
A little while later, with help from UTEP librarians Claudia Rivers, Nancy Hill, and Luke Jastrzebski, English Department Chair David Ruiter and English Department Library Liaison Kate Mangelsdorf, the brothers' blessing, and a generous donation from their publisher, Fantagraphics, the Hernandez Brothers Collection of Hispanic Comics and Cartoon Art was founded.
The collection, comprised mostly of pamphlet-style comics and graphic novels, is housed primarily with the UTEP library's Chicano Collection, though various other artifacts are housed where they are best preserved.
| Some of the founding donation from Fantagraphics |
Goals:
The Hernandez Brothers Collection of Hispanic Comics and Cartoon Art has three goals:
PRIMARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars resources from Hispanic/Latino/a/Chicano/a comics artists and writers, with “resources” defined as comics, graphic novels, and related artifacts (original art, scripts, associated publications and scholarship), and to collect, spotlight and make available to the UTEP community comics and graphic novels that explore issues related to the Hispanic/Latino/a/Chicano/a experience. An emphasis is placed on comics and associated materials emanating from the Borderland.
SECONDARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars resources from comics artists and writers of other Spanish traditions, with “resources” defined as comics, graphic novels, and related artifacts (original art, scripts, associated publications and scholarship).
TERTIARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars Spanish-language comics and comics-related resources.
The Hernandez Brothers Collection of Hispanic Comics and Cartoon Art has three goals:
PRIMARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars resources from Hispanic/Latino/a/Chicano/a comics artists and writers, with “resources” defined as comics, graphic novels, and related artifacts (original art, scripts, associated publications and scholarship), and to collect, spotlight and make available to the UTEP community comics and graphic novels that explore issues related to the Hispanic/Latino/a/Chicano/a experience. An emphasis is placed on comics and associated materials emanating from the Borderland.
SECONDARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars resources from comics artists and writers of other Spanish traditions, with “resources” defined as comics, graphic novels, and related artifacts (original art, scripts, associated publications and scholarship).
TERTIARY GOAL: To collect, spotlight, preserve, and make available to the UTEP community and other scholars Spanish-language comics and comics-related resources.
Mission:
The mission of the
Hernandez Brother Collection is to meet the goals set forth above in the
long term, and in the short term the mission is to work with companies,
corporations, granting entities, artists, and the personnel at other
libraries to procure items for the collection, make space for them in
the UTEP library, preserve and protect items as necessary, and to
display them in the proper manner.
Monday, March 05, 2012
Coming Fall 2012: ENGL 5340: Literature for Youth

ENGLISH 5340: Literature for Youth is described as "the study of literature written for young people." When I teach it in fall 2012, the focus of the course will be the intersections of adolescence, secondary education, literary analysis and graphic novels.
Students in UTEP's English MAT program will be the bulk of enrollment. We'll be reading comics featuring young people in schooling and social situations. In addition to a core textbook on adolescence and education and articles on comics and literacy, students will be asked to read from among the following graphic novels:
American Born Chinese
Any Empire
Anya's Ghost
The Arrival
Black Hole
Blankets
Blue Beetle: Boundaries
Epileptic
Fun Home
Girl from H.O.P.P.E.R.S.
Habibi
Hereville
Incognegro
La Perdida
Level Up
Refresh Refresh
Persepolis
Skim
Stitches
Stuck Rubber Baby
White Tiger: A Hero's Compulsion
Wonderstruck
Young Allies
Yummy
Zahra's Paradise
I've just put in my book order and am gathering secondary reading resources now. I'm also working out assignments. But, I'm excited about this course!
Monday, October 10, 2011
We're Famous! UTEP Shows up in Love and Rockets
Angel, a character from the acclaimed Love and Rockets series, is quite the athlete. No wonder she got a full scholarship to a certain University in El Paso that hosted author Jaime Hernandez a year or so ago. For proof, see this image from the recently-released and awesome Love and Rockets New Stories #4, of which you should all go out and buy seven copies.
Thursday, September 15, 2011
Wednesday, September 07, 2011
Minero Magazine Covers EP Comic Scene
El Paso comics creators Jaime Portillo, Julian Lawler, and Joe Lopez are profiled. And with good timing too, since El Paso Comic Con is this weekend!!!
Minero is one of UTEP's student magazines.
Minero is one of UTEP's student magazines.
Labels:
El Paso,
EPCON,
Jaime Portillo,
Joe Lopez,
Julian Lawler,
UTEP
Friday, September 02, 2011
Thursday, September 01, 2011
"News @ UTEP" weekly Newsletter details ENG 3327
Click here for the scoop on my ENGLISH 3327: Jewish American Literature Through the Graphic Novel course, offered for the first time this semester at UTEP.
Labels:
El Paso,
English 3327,
Jew,
Jewish,
Jewish American Literature,
media,
UTEP
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