Blue Beetle & DC's New 52: Out of El Chuco and Into the World

It has been several months since DC relaunched its universe with 52 new comics titles. As we speak, several books have been cancelled and several others, less than 6 issues old, are undergoing creative changes. I've only been reading two of the new books, Swamp Thing and Blue Beetle, though I hear great things about Animal Man.

My interest in Blue Beetle stems from my fascination with Watchmen (Night Owl is the analogue for Charlton Comics' Steve Ditko-era Blue Beetle) but intensified when I came to UTEP at right around the same time as the most-recent Blue Beetle, featuring 16 year old Hispanic El Pasoan Jaime Reyes as the eponymous hero, was coming into his own. Alas, Jaime's first series was cancelled after less than 50 issues, but the character was revisited in 2011 in a new Blue Beetle series that is ongoing and not bad.

One of the things that made Jaime's first series so interesting -- and which made it a liability to DC, most likely -- was that it dealt with issues of the Borderland, immigration, and Mexican American life in the American Southwest. Jaime found himself becoming the regional hero for both El Paso and Juarez, MX. One editor has said that DC overestimated the amount of attention Americans were putting on immigration issues at the time and has stated that the first Reyes series was a "gimmick."

I don't buy it. While I do think DC tried to appeal to new, younger, browner demographics with the character, I don't think he is a gimmick, as evidenced by the fact that DC sees him as important enough to keep him around now and in how they built him up as a character on the cartoon Batman: The Brave and The Bold. They know they've created an important property.

Interesting, then, that the series' writer wants to take Jaime away from El Paso and place him in the larger, more "traditionally Euro-Anglo" world of the DCU. Frankly, I think they had to do it because keeping him in El Paso would have meant revisiting the violence in Juarez,MX. A fictional hero has no clout when he's saving lives in funny books while 8 murders a day are taking place in the real world territory he's claiming to protect. And who knows who might have protested the previous Reyes series and for what reasons.

At any rate, CBR has an interview with current Blue Beetle writer Tony Bedard in which he explains plans to move Jaime out of the Sun City and into the world at large. Read it here. Whether DC is asking him to do so to move him further away from real-world local problems and closer to global and galactic fake ones remains unknown.

Image: Are real-world issues boxing in the potential of DC's Hispanic Superhero?

My Summer Pleasure Reading: *Saga of the Swamp Thing*

I've now read 5 of the 6 volumes of Alan Moore's run on Saga of the Swamp Thing, and I just gotta say that I'm loving it.

I don't know if living the Southwest has me yearning for the South, or if the desert and recent humidity has me yearning for bodies of water and marsh, but I've found myself drawn to Swamp Thing since reading Jeremy Love's Bayou and noticing that the eponymous character of that series is a clear homage to Len Wein and Bernie Wrightson's soggy slosh super-hero.

(Did you know that Swamp Thing and Man Thing debuted almost simultaneously, and that both are an homage to an obscure character called The Heap?)

It's also fun to see Moore playing with Watchmen themes prior to releasing that text and seeing scenes and that seem "tested" in this series, as if the bayou of Louisiana became the Brit's natural playground. I enjoy wondering if Moore every visitited the Southern swamps. I enjoy the romance between Swampy and Abbie, the taboo that isn't really.

I also sort of like seeing an elemental character kick the asses of DC's more mainstream capes.

I do think the series could be used in the high school and college classroom, especially as a text to illustrate Southern Gothic literature. I even wrote a rationale for volume 1 of the collected series while working on the Rationales for Teaching Graphic Novels text.

Right now I just want to savor the story's essence, though, as if I don't have allergies and moss makes me feel alive and erotic and connected and free at the same time. Nothing fancy. Just want to say I recommend these volumes.

Seriously, if you like Moore and you like brooding and romance, check out this Mr. Natural/Frankenstein via the Saga of the Swamp Thing collected editions.

DC to Stop "Writing for Trade"

That's the term given to the practice of writing long story arcs so they can be repackaged and sold as graphic novels, more specifically the trade paperback kind of GN. ICV2 reports that DC blames the phenomenon for slowing sales of pamphlet comics.

OK, but if you're gaining sales in GN formatted comics, what's the problem?

Read what DC bigwigs think by clicking the link embedded in this post's title.

I wonder if this move will affect graphic novels sales in a significant way. My initial thought is "probably not," since we all know pamphlet comics are not exactly a growth market, and GN's were chugging right along for a while there, though they've slowed too, and we do live in a "What have you done for me lately?" world.

The Beat Calls DC's New Rating System Video Game-Like

DC will no longer use the comics code authority to rate its books as kid-safe, dropping the code in favor of a "multi-layer ratings system."

The system assigns either an E, a T, a T+, or an M to titles to indicate if they are for everyone, teens, teens and whatever "+" means, and mature.

I'm intrigued by the streamlining. Making ratings more consistent across media was part of the reason for the change.

Multimodality, censorship, and ratings just got more interesting.

How long before we see a complaint from a parent or teacher that a trade paperback with comics rated "M" was found in the "T" equivalent of the school library's stacks?