Comics and graphic novels have a penchant for being excellent vehicles through which to tell difficult stories or through which to handle delicate topics.
Certainly this holds true when it comes to disease, and cancer seems to be a particularly notable source of inspiration for graphic novelists. Consider Pekar's Our Cancer Year, Fies' Mom's Cancer, Engelberg's Cancer Made Me a Shallower Person: A Memoir in Comics.
I even considered chronicling my own experience dealing with cancer via comics form. As a new member of the "missing lefty" tribe in 2004 (by which I reference the fact that a few months prior to entering my doctoral program I had a testicle removed because it was cancerous), I was in talks with the American Cancer Society about doing an information comic book on the subject. I even IM-ed with Marvel's Joe Quesada about putting a small informational comic about self-examination in Marvel's comics on month, my rationale being that the age ranges for comic book readers and those who are most likely to be diagnosed with testicular cancer overlap greatly (it didn't go over well).
So, when I saw Marisa Acocella Marchetto's graphic novel Cancer Vixen at an excellent airport bookstore in Dallas, I had to add it to my collection. Pink and purple cover be damned; Big "V" in "Cancer Vixen" right where the vagina of the skinny girl on the cover should be? No problem. I proudly made my purchase and began reading immediately.
The book, which started out as a serial, details the author's experience with breast cancer, which she discovers right before her marriage to a dreamy, well-off Italian restaurateur. Marchetto, a high-society type caught up in the glamor and glitz of New York fashion and "in" society, suddenly comes to terms with mortality and modern medicine while examining spirituality, a reality without children, and anxiety about her worth as a woman and mate with an intensity and range she never knew she had.
While my cancer was less aggressive than Marchetto's, I could easily relate to scenes where she visualizes what she thought would be the spirit forms of her future children dissipating, never to be realities. I also revisited my own psychoses regarding my gendered identity as she did the same. I knew her pain when she considered how in the world she'd pay all those bills.
I was not, however, able to relate to Marchetto's "Sex and the City meets Carsinoma" vibe, though my hunch is that many readers, especially female readers, could and would. I left the text thinking that it could possibly be considered, among other things, "a graphic novel for girls that don't usually read graphic novels," an accessible and "hip" book that could help other cancer patients and their young relatives or friends understand what might be coming once they or someone they know is diagnosed. Sort of "what if Elle Woods was a cartoonist and wanted to talk about breast cancer?" In a good way.
I should also say that Marchetto's cancer was much more aggresive than my own, so when I mention being able to connect with the text, there are caveats. Caveats exist with the elements that distanced me as well. Though she's depicted as a struggling cartoonist, Marchetto's base of family and friends come through for her such that she never really seems threatened with bankruptcy (medical exigencies being a major reason many Americans go broke) or too far removed from her previous lifestyle. She adds depth to what she comes to see as shallow aspects of herself, but she never really has to give up the rides in great European cars, the nice shoes, the vacations permanently. There is a lot of anxiety that these things and even more important things will be lost, but in the end, Marchetto retains almost everything she had before, including her breasts.
That's not to envy her, just to say that the book illustrates that every cancer case has similarities and differences in regards to every other. I had to sell my Pontiac GTO, a present from my dad for being the first in our family to graduate college, to offset medical bills (and this was with insurance!), but I've sired two healthy boys since my operation. I didn't do any chemo; Marchetto goes through that gruel and acknowledges that not everyone in the patients waiting rooms she visited handled it as well as she was able to -- or even survived it.
So, for me, the book is one rife with text-to-self connections while also constituting a study in contrasts. Overall, I'm glad to have read the book and recommend it to others. I hope that educators or school councilors might consider it as a book to recommend to those who are experiencing cancer or those young people who might have relatives who are. In the end it is a survivor's story, which means some readers will experience different endgames in their own cancer experiences, but the text is informative, emotional, feminine, and,
dare I say it, tres chique.
Certainly this holds true when it comes to disease, and cancer seems to be a particularly notable source of inspiration for graphic novelists. Consider Pekar's Our Cancer Year, Fies' Mom's Cancer, Engelberg's Cancer Made Me a Shallower Person: A Memoir in Comics.
I even considered chronicling my own experience dealing with cancer via comics form. As a new member of the "missing lefty" tribe in 2004 (by which I reference the fact that a few months prior to entering my doctoral program I had a testicle removed because it was cancerous), I was in talks with the American Cancer Society about doing an information comic book on the subject. I even IM-ed with Marvel's Joe Quesada about putting a small informational comic about self-examination in Marvel's comics on month, my rationale being that the age ranges for comic book readers and those who are most likely to be diagnosed with testicular cancer overlap greatly (it didn't go over well).
So, when I saw Marisa Acocella Marchetto's graphic novel Cancer Vixen at an excellent airport bookstore in Dallas, I had to add it to my collection. Pink and purple cover be damned; Big "V" in "Cancer Vixen" right where the vagina of the skinny girl on the cover should be? No problem. I proudly made my purchase and began reading immediately.
The book, which started out as a serial, details the author's experience with breast cancer, which she discovers right before her marriage to a dreamy, well-off Italian restaurateur. Marchetto, a high-society type caught up in the glamor and glitz of New York fashion and "in" society, suddenly comes to terms with mortality and modern medicine while examining spirituality, a reality without children, and anxiety about her worth as a woman and mate with an intensity and range she never knew she had.
While my cancer was less aggressive than Marchetto's, I could easily relate to scenes where she visualizes what she thought would be the spirit forms of her future children dissipating, never to be realities. I also revisited my own psychoses regarding my gendered identity as she did the same. I knew her pain when she considered how in the world she'd pay all those bills.
I was not, however, able to relate to Marchetto's "Sex and the City meets Carsinoma" vibe, though my hunch is that many readers, especially female readers, could and would. I left the text thinking that it could possibly be considered, among other things, "a graphic novel for girls that don't usually read graphic novels," an accessible and "hip" book that could help other cancer patients and their young relatives or friends understand what might be coming once they or someone they know is diagnosed. Sort of "what if Elle Woods was a cartoonist and wanted to talk about breast cancer?" In a good way.
I should also say that Marchetto's cancer was much more aggresive than my own, so when I mention being able to connect with the text, there are caveats. Caveats exist with the elements that distanced me as well. Though she's depicted as a struggling cartoonist, Marchetto's base of family and friends come through for her such that she never really seems threatened with bankruptcy (medical exigencies being a major reason many Americans go broke) or too far removed from her previous lifestyle. She adds depth to what she comes to see as shallow aspects of herself, but she never really has to give up the rides in great European cars, the nice shoes, the vacations permanently. There is a lot of anxiety that these things and even more important things will be lost, but in the end, Marchetto retains almost everything she had before, including her breasts.
That's not to envy her, just to say that the book illustrates that every cancer case has similarities and differences in regards to every other. I had to sell my Pontiac GTO, a present from my dad for being the first in our family to graduate college, to offset medical bills (and this was with insurance!), but I've sired two healthy boys since my operation. I didn't do any chemo; Marchetto goes through that gruel and acknowledges that not everyone in the patients waiting rooms she visited handled it as well as she was able to -- or even survived it.
So, for me, the book is one rife with text-to-self connections while also constituting a study in contrasts. Overall, I'm glad to have read the book and recommend it to others. I hope that educators or school councilors might consider it as a book to recommend to those who are experiencing cancer or those young people who might have relatives who are. In the end it is a survivor's story, which means some readers will experience different endgames in their own cancer experiences, but the text is informative, emotional, feminine, and,
dare I say it, tres chique.p.s. I totally prefer this image to the right, which I assume is an alternate or previous cover for the book (?). This one has more attitude and is taken from a scene where the author/character is kicking death in the face! From "Sex and the City" to "You go, girl!" :)
Ball Peen Hammer: Adam Rapp and George O'Connor's tale of an disease-ridden apocalyptica where people earn sway with power figures by killing live or bagging already-dead children is a swing and a miss for me, but unfortunately not for anyone under 15 who appears in this book. The text seems too condensed, too rushed, like there are scenes missing that really ought to be in there. Rarely do I say that a comics story might have been best represented via traditional print text ( I sort of see it as blasphemy, frankly), but I get the feeling this would work better as a YA novel or film script than it does as a graphic novel.
The Book of Genesis Illustrated by R. Crumb: I'm only..... Well, shit, the book doesn't have page numbers, but I'm less than halfway through and am enjoying it thoroughly so far.
